Georgia O’Keeffe, Flower of Life II, 1925
Flower of Life II - along with many to follow - presented the sexual anatomy of the flower in sharp focus. By drawing attention to the inherent androgyny of this subject, O’Keeffe could have been attempting to contradict the critical notion that her subject matter was related exclusively to her gender. But if so, the critics in 1925 missed O’Keeffe’s point (as most still do). They interpreted her flowers as they had interpreted her earlier abstractions, as expressions of her sexuality. In 1943, O’Keeffe finally responded:

"Well - I made you take time to look at what I saw and when you took time to really notice my flowers you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower - and I don’t. ”

Georgia O’Keeffe, Flower of Life II, 1925

Flower of Life II - along with many to follow - presented the sexual anatomy of the flower in sharp focus. By drawing attention to the inherent androgyny of this subject, O’Keeffe could have been attempting to contradict the critical notion that her subject matter was related exclusively to her gender. 

But if so, the critics in 1925 missed O’Keeffe’s point (as most still do). They interpreted her flowers as they had interpreted her earlier abstractions, as expressions of her sexuality. In 1943, O’Keeffe finally responded:

"Well - I made you take time to look at what I saw and when you took time to really notice my flowers you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower - and I don’t. ”

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